The nineteen-seventies was an incredible decade. It was a decade of change, one of freedom, a   cartridge clip clip for great music. It was also an incredible decade for shock,  fearfulness and  consecutive killers. John Wayne Gacy, an amateur cl avouch, was a pedophiliac homosexual. He  anguish and killed  30 three little boys and stored their remains under his house. David Berkowitz, a.k.a. the  news of Sam, stalked New York City from nineteen-sixty-seven to nineteen-seventy-seven. He claimed to have been  followers a voice from his dog that told him when and where to kill. Ted Bundy, who is believed to have killed at least thirty-four people, was charged for only three under his own defense- and in fact, he was commended by the judge for his own defense. He was  vex to death  . With the combination of a very  omnipotent media and a  golf-club fascinated with gruesome, sadistic crimes, modern  consequent killers have been  typeset in the spotlight. We  be enraptured with  back-to-b   ack killers so much, that we  expect seven dollars to go see a movie where everyone  save the bad guys gets strangled, mutilated, or shot- and enjoy it in some  disconsolate way. The media goes out of its way to glamorize  performance and terrify the public. We  condescend killers like Charles Manson on  finis  trend with our tax dollars. In fact, we support them with more than that.

 About  twain months ago  on that point was an art show in California entitled: The Death Row Art   ready III. Pieces sold for thousands of dollars regardless of their  aesthetic appeal, because of the identity of the artists.  incidental killers are becoming as    democratic as rock stars.  Serial killers ar!   e a development of the industrial world; they  in reality didnt come about until the late eighteen-hundreds when  decree was becoming  modernised and the threat of...                                        If you want to get a full essay, order it on our website: 
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